CREATING A FICTIONAL UNIVERSE FOR A NOVEL

Time BladeI’ve just published my third book—Time Blade: Age of Jeweled Intelligence—the second in the AJI series. Since I enjoy reading about how other authors work, I thought I would share a little about my process.

I’m not a super organized writer who has the world of my novel all figured out before I begin to work. I know what I want to say, and because I really, really, really want to know the how and the why of that mysterious tale stirring inside me, I believe it is mine to tell. I come to the page every day ready to write, which habit tells the story I’m serious and I need to know what comes next. Some begging, bargaining, and long, meditative silences go with this method.

OVERVIEW FOR THE AGE OF JEWELED INTELLIGENCE SERIES

The first inhabitants on the planet descended from a highly evolved civilization in another galaxy. They harnessed the astral energies of jewels to power industries, space travel, medical procedures, and all the comforts of home. In twenty-first century Earth, the Lords for the planet call for a new Age of Jeweled Intelligence. The evolution of the human family moves slowly, the natural resources of the planet are depleting rapidly, and Earth’s sun star will burn out. Mankind must rise to the call of his highest nature and transcend to the next universe, or perish with the sun.

Each book in the Age of Jeweled Intelligence series is a stand-alone story—told by a different narrator—a present-day reincarnation of someone who lived in the first Age of Jeweled Intelligence.

Time, location, and magic comprise some of the main components of a fictional universe. Here’s how those work in Time Blade.

TIME

Time is a major player. Before entering the mortal plane, each soul deposits an atom of its highest brilliance into Time. This forms a mastermind—a luminous field of perfect impersonal intelligence that overseas the evolution of the human family.

TIME BLADE

In order to escape disasters that could destroy the planet and humanity, one person is entrusted to carry Time Blade, a weapon capable of cutting, stopping and reversing Time.

LOCATION

Before Earth. Ancient Earth. Twenty-first century Earth.

MAGIC

 The astral disk. Jeweled Intelligence is the astral consciousness of gems—super cosmic awareness— living inside the Galaxy of the Jeweled Spheres. In the Age of Jeweled Intelligence everyone is born with an astral disk—a glow that adheres to the palm of the left hand like a second skin. Icons on the disk connect the user to the cosmic forces of gems.

Chakras
Illustration of chakras

There are seven jeweled spheres, which correspond to the seven chakras in the human body. Rubies represent the base chakra—creative energy. Emeralds, the solar plexus—might, life power. The heart is gold—love. The throat is intellect—sapphire. The third eye, volition—amethyst. The crown chakra, intuition—diamond. The seventh chakra is pearl—illumination. (The colors and attributes chosen serve the story and may differ from other charts.)

The inner kingdom of man came quite naturally as a fictional universe for Time Blade. Awakening to pure awareness has been my main interest for many years. I care deeply about the issues explored in the book—the well being of our planet and humanity. Writing about them evoked transcendent wonders that proved true in the universe of my novel. These epiphanies remain among the greatest rewards of my writing life.

STORY SYNOPSIS

 Time Blade follows young Californian Sky Hunter through three incarnations in his quest to become the man who carries Time Blade. I had not written from a man’s point view before, but I didn’t see that as a big hurdle. In his present day life on Earth, Sky ages from eighteen to thirty-two. I found my way into his character by giving him the same goal I had at age eighteen. I would travel the world and work and do whatever it took to make that happen. I traced the events in my life that had driven me to set out on that journey. Plot wise I knew why Sky had to travel far and wide, but I didn’t know what causes in his life had stoked the fires of such an undertaking. The answers arrived as I came to the page every day, writing and re-writing, draft after draft, until I unfolded the all of his story.

www.christinagreenaway.com.

 

 

 

The Creation of a Book Cover Design – Guest Post


Today we have a guest post from designer Scott Hale who has worked with Christina on multiple projects. In this post he will discuss his thought process and the steps he went through to create the art work for the cover of Christina’s new book, Time Blade.

When Christina asked me to write about the process I went through to create the cover art for her upcoming novel, Time Blade, I jumped at the opportunity. Christina and I have enjoyed a creative collaboration for several years and I strongly believe that this most recent project couldn’t have happened were it not for the many, many hours we have spent creating together.

Cover art for "Written In Ruberah"
Cover art for “Written In Ruberah”

The cover art began, as it always does for us, with a conversation. Christina is a very visual person and she described the concept of her new work using very descriptive language. Key phrases and words she used that sparked my visual imagination where “cycles of time, radiating blades, midnight blue and abstract.”

Because this book is part of a series, we knew from the beginning we wanted the cover to relate to the first book, Written in Ruberah. The cover art for that book set up a circular theme, which works well with the idea of cycles of time, so I knew this book would also use the idea of a central focal point that radiated outward.

Print
Super Nova

I began researching moments of powerful change and quickly came upon a supernova. “A supernova is a stellar explosion that briefly outshines an entire galaxy, radiating as much energy as the Sun is expected to emit over its entire life span, before fading from view over several weeks or months.”[1]

Visually, a supernova is stunning, creating a full spectrum of colors which often appear circular as the energy radiates outward from the center. Upon sharing the idea of using a supernova as a visual reference I was stunned to learn that Christina’s novel actually began with the death of Miron, a planet wiped out by a supernova. Perfect!

However, one of my design considerations was to keep the cover imagery abstract so the viewer could interpret it a variety of ways. Simply putting a supernova on the cover would be far too literal. So I continued researching. I think the actual phrase I Googled was “energy that radiates in a circle” which quickly led me to visual references of the Tesla coil.

Tesla Coil
Tesla Coil

“A Tesla coil is an electrical resonant transformer circuit invented by Nikola Tesla around 1891. Tesla used these coils to conduct innovative experiments in electrical lighting, phosphorescence, X-ray generation, high frequency alternating current phenomena, electrotherapy, and the transmission of electrical energy without wires.”[2]

I started layering images of Tesla coils electrical energy over supernova explosions and the results were visually interesting, with variations in color and texture, while still being predominately midnight blue, another of my design objectives. Now the viewer would see an abstract representation of a powerful change occurring, such as time being sliced or cut.

Blade Illustration
Blade Illustration

The design for the radiating blades came from a discussion with Christina about avoiding the genre of knights in armor wielding swords. Christina was clear that the cutting of time was not a singular event and should not be represented as such. This caused me to design a very simple blade which when overlapped and radiated outward from a central point became a rather beautiful abstract shape itself. The blades were layered over the supernova and Tesla coil electricity and I knew I had something interesting.

 

This lead me to one of the most important choices for any book cover—choosing the font for the title. Having worked with Christina many times before I knew her personal esthetic towards clean lines and minimalism. I also was aware of how easy it would be to choose a font that would be genre specific (ie. Game of Thrones, Lord of The Rings, or any novel featuring vampires) and lead the viewer down the wrong path.

I needed a font that was crisp and clean, sharp and modern without being trendy. I tried several different fonts and even alternate titles suggested by Christina. One font I found early on, called Cirrus, had several characteristics I was looking for. It was clean and modern and had sharp edges, but at the same time it lacked the visual weight I needed. Finally I came across Broadband, a font I had used multiple times before but had never considered for this project because when in lower case it was totally wrong. However, when used in all uppercase it had everything I was looking for minus two small enhancements; I added points to the crossbars of the “E” in the word time and the “B” in blade.

Print

Because of the nature of publishing it is entirely possible changes will be made to the cover before it goes to press, but as of right now, this is the finished cover for Time Blade: Age of Jeweled Intelligence.

Print

[1] http://en.wikipedia.org/wiki/Supernova

[2] http://en.wikipedia.org/wiki/Tesla_coil

Excerpt from Time Blade, book two in The Age of Jeweled Intelligence trilogy

Excerpt from TIME BLADE, book two in The Age of Jeweled Intelligence trilogy

Luca, Spiritual Master for Earth, instructs his eight year old student about Time Blade.Blade_illustration

Where does the blade come from, Master?

Time itself.

What’s that?

Time, as we use it, is a law—a post of consciousness—composed of multi billions of particles of perfect impersonal intelligence—the soul of the world.

Why?

So we can be conscious of our lives on earth, without the Cycles of Time, Time is no time, or all time all the time.

Why do I carry Time Blade?

It chose you.

Does it know me?

It trusts you.

Why?

We’ll see, won’t we?

Time Blade, coming soon from Girl by The Sea Publishing

Written in Ruberah receives another 5 star review on Amazon and BookPleasures.com

BaniSodermarkReviewer Bani Sodermark has posted her review of Written in Ruberah on BookPleasures.com.

Bani has a Ph.D in mathematical physics and has been a teacher of physics and mathematics at the university level in both India and Sweden. For the last decade, her interests have been spirituality, healthy living and self-development. She has written a number of reviews on Amazon.com. Bani is a mother to two children.

A Love Story on Different Planes

This is not your usual love story where the main actors are paramount and conceive their life stories with decisions taken by themselves in the present, and many or most of the facts relevant to the story pertain to the existing lifetime. In this book, the protagonists live out decisions taken by them in another time and space. And we get to see a fine and entirely plausible interplay of the main characters with the river spirit of Cornwall, viz., Tamara, who not only provides a timeless link between the past and present, but also plays a major role from behind the scenes in influencing the lives and decisions of the protagonists as well…

…The text is fast and free flowing, a joy to read. It affirms the fact, more than many other books that I know of, that all we are, is flowing energy, that anything could happen at a moment’s notice, that all we think, say or do has consequences. The descriptions of the outer physical scenery as a reflection of the inner, is unusually detailed and evocative, almost like a fast, chemical reaction, once the right ingredients are administered.

This is a book that has been written on several planes. The main characters have their own agendas on the physical, which they put aside, willingly or unknowingly, after intervention by either by Tamara or Gwenellen. The author, Christina Greenaway has been very insightful and consistent about the principles that govern Life in this book, affirming that the reason we are here is to strengthen our spiritual muscles. This book is a strong and beautifully written testimony to the above…

…This is the first in a series of books called “The Age of Jewelled Intelligence”. Going by the popularity of the Harry Potter series, one can presume that the public response to this genre can only increase with time as more people explore their feminine side. Personally I enjoyed the book very much. Warmly recommended.

Read the entire 5 Star review on Amazon.com

Read the entire review at BookPleasure.com

 

Free Download—Glossary for Written In Ruberah

Screen Shot 2014-07-02 at 9.59.59 AMA reviewer suggested this book would benefit from having a glossary. I am grateful to her for pointing that out and consequently have created one which can be downloaded from my website for free.

  • The world of Jeweled Intelligence
  • The characters in the Time of Ruberah
  • The characters in today’s world who also lived in Ruberah
  • Places in today’s world where the story takes place

 

Your FREE copy at christinagreenaway.com

 

When I grow up …

As a child I liked to climb onto the cliffs and gaze out to sea. Soon, a source as huge and wonderful as the ocean itself would stir inside me. Great adventures would unfold in my imagination. I’d choose a story, write it down, then stuff it into a bottle and toss it into the sea.

“I’ll write stories when I grow up,” I announced to my mother.

“Yes, you will, dear,” she replied.

An artist and his wife moved into the house next to ours. The artist trudged out to the great headlands each morning, lugging his paint box, easel and canvas.

“Can I come with you?” I pleaded, my tote bag already stuffed with paper, bottles and crayons.

“Yes, you can.”

The artist had travelled the world and told colorful stories of hiking in Kathmandu, Turkey and Peru.

“I’m going to see the whole world when I grow up.”

“Yes, you will.”

The artist painted a Parisian scene, and I became enchanted with the smartly dressed people sitting at small tables, drinking red wine and feeding tidbits of food to little dogs cuddled on their laps.

“I’m going to own a café in Paris when I grow up, Mummy.
”

“Yes, you will, dear.”

This new career goal dovetailed nicely with my recently discovered talent for changing water into wine. My father had sent me a pop-up book of Jesus performing some of his most famous miracles. I saw little of my father as he was posted in India with the RAF. I expect he thought my mother would use the book to tell me the story of Jesus. She didn’t. I lay on my stomach on the floor, staring into the scenes, enthralled by the magical man. Jesus was on a lever, so I could move him through the miracles. With a push from me, he shot up off the cross, clouds opened and angels filled the sky. I could also walk him across the water—a feat I tried to emulate. Obviously, I didn’t succeed or I’d be famous and publishers would be in a bidding war for my new novel. But I could turn water into wine. I simply switched on the tap and asked my mother, “Is it wine yet?”

“Yes, it is, dear.”

I created a make-believe café in our back garden. Jesus stopped by regularly for a glass of wine and a chat. He listened while I dreamed myself into careers as prima ballerina, orchestra conductor, and the ever-present writer.

The writer lay buried within for a long time. I worked in fields as diverse as advertising, fashion and real estate. I travelled the world over, hiking as opportunity permitted. I loved the feel of the earth beneath my feet and often fancied I stepped on the same soil as the artist who had inspired my adventures. Travel taught me many of the things I value most. Traveling equals being in a mini-version of my life’s journey. Everything is magnified. Free from routine, time seems to expand. People become more vividly who they are, probably because I’m truly looking at them. I notice how different or how similar they are to me. My eye roams over the details of each new place. I sniff the smells, marvel at the colors of the landscape and the particular swell of a foreign sea. I stride through the streets, measuring my step to the local pace of life, my ear tuned to the collective consciousness of the people. I am aware of myself as a member of the human family, and my capacity for compassion increases.

Between travels, I returned to Cornwall to visit my mother. The last time I stayed with her she had begun the long journey into dementia. One night she rushed into my bedroom, awakened me and said, “There are lots of people downstairs in the dining room and they’re very hungry. Will you come down and help me prepare a meal for them?”

In a split second our roles reversed. My mother’s question echoed in the chorus of the many I had asked her as a young child. The kindness she had invested in me resonated in the air as palpable as her breath. I inhaled deeply and took her hand in mine. “Yes, I will, Mum.”